CATALOGUE INDEX
CONTEMPORARY NEW WORKS
1989-2024
-SEQUENCE #2, 2025.
-COLLECTING INTANGIBLES 2, 2025.
-SEQUENCE #1, 2024.
-OEUVRES IMPROBABLES, 2024.
-IMAGINARY GARDENS, 2024.
-REFLEXIONS, 2024-25.
-COLLECTING INTANGIBLES 1, 2024-25.
-OCEAN VIEWS, EASTCOAST CANADA.
-MA MUSE.
-HOME SWEET HOME.
HIATUS
2005-2024.
THE LAY OF THE LAND.
-2018,
-2010,
-2008,
-2006.
,-2005.
FROM THE ARCHIVES
EARLY CHROMES.
1982-1994
EARLY WORK,
THE FORMATIVE YEARS.
1984-2005.
XXth CENTURY PHOTOGRAPHY
-MURMURES, MEXICO CITY, DEC 1993-JAN 1994.
-ABSTRACTIONS, 1990-93.
-EUROPE, 1982.
-MA MUSE, 1984.
-1993, CREATING SPACE / I] -TRI-X 135-36 ROLL FILM WITH 5 EXTRA FRAMES/ II] -PEOPLE/ III] -SEQUENCE: THE BRINKS/ IV] -DROITS DES PREMIÈRES NATIONS/ V] - SELF PORTRAIT IN A MIRROR.
-1992, BECOMING A FATHER / I] -SOME PLACES/ II] -MOTHER AND CHILD/ III] -SELF PORTRAIT IN AMIRROR.
-1991, EVERYTHING IS A PICTURE / I] -ARTEFACTS/ II] -HOCHELAGA/ III] -ECOLOGY/ IV] -MA MUSE/ V] -PEOPLE/ VI] -COMPOSITE SELF PORTRAIT.
-1990, WANDERINGS / I] -FAITS DIVERS/ II] -CHAOS AT THE BUS STOP/ III] -MA MUSE/ IV] -LE CHEVAL BLANC/ V] -24 JUIN/ VI] -RATHA-YATRA/ VII] -TAM-TAMS/ VIII] -OLD MONTREAL PANORAMA/ IX] -LEICA M4P CAMERA/ X] -VEA-KATERI CEMETERY.
-1989, EMBRACING IT ALL/ I] -FAITS DIVERS/ II] -SEQUENCE: RUSH HOUR/ III] -SELF-PORTRAITS/ IV] -TRIPTYCH: TRADUCTIONS/ V] -SEQUENCE: ELAPSED/ VI] -SEQUENCE: FROM THE BUS/ VII] -SEQUENCE: MCGILL COLLEGE AVENUE/ VIII] -ROAD TRIP FROM NYC TO MEADOW COVES, NEWFOUNDLAND AND LABRADOR, CANADA, IN JUNE/ IX] -PORTRAITS OF PHOTOGRAPHERS/ X] -GRIM OCTOBER.
-1988, DEFINING AND CLAIMING SPACE/ I] -SELF- PORTRAITS/ II] -FAITS DIVERS/ III] -CITY STREET CHOREOGAPHY/ IV] -SANCTUAIRE SAINTE- ANNE DE BEAUPRÉ/ V] -SEQUENCE: 20/20/ VI] -SEQUENCE: THE CLOWN/ VII] -ST-PAT'S PARADE/ VIII] -SALON DES SCIENCES OCCULTES/ IX] -PINK FLOYD AT THE BIG O IN MONTREAL/ X] -MA MUSE.
-1987, REPORTING/I] -THE NEW YEAR/ II] -FAITS DIVERS/ III] -SEQUENCE: STUDENT LIFE/ IV] -FALL-WINTER SESSION, CONCORDIA U./ V] -SEQUENCE: COMMUTERS/ VI] -DOG'S DAY, ST-PAT'S PARADE/ VII] -VOYAGES DE RÊVES, SELF-PORTRAITS/ VIII] -GRAD BALL/ IX] -214 PICTURES FROM N.Y.C. TO L.A., MAY-JUNE.
-1986, PUBLIC ALLEYS/ I] -FASHION/ II] -SEQUENCE: WORKDAYS/ III]-GRIM OCTOBER/ IV] -SEQUENCE: STAND BY.
-1984-5, I-¨LA MAIN, MONTRÉAL, 07 JUIN 1985/ II] -QUEBEC-MONTRÉAL, FAIS DIVERS.
-AU PIED DU COURANT, MONTRÉAL, 2002.
-LA VALLÉE DU SAINT-LAURENT, 1998.
-FEW DOWNTOWN MONTREAL'S BUILDINGS, 1998.
-DOWNTOWN MONTREAL, 1998.
-LANDSCAPES, 1998.
-EAST END, MONTREAL, 1998.
-ILE SAINT-HELENE, MONTREAL, 1997.
-URBAN LANDSCAPES, 1997.
-FORESTS 1, 1997.
-SANDWITCH TOWN, MA, USA, SPRING 1987.
-AMERICAN LANDSCAPES, SPRING 1987.
CONTEMPORARY.
NEW WORKS.
SEQUENCE #2, 2025.
Diptych, sequence #2, the yellow jacket.
COLLECTING INTANGIBLES 2, 2025.
-Quartier Saint-Rock, Québec.-
CI2_01
CI2_02
CI2_03
CI2_04
CI2_05
CI2_06
CI2_07
SEQUENCE #1, 2024.
Triptych, sequence # 1, shooting hoops in the schoolyard.
OEUVRES IMPROBABLES, 2024.
Diptych: Bird's eye view.
Diptych: Perspective.
Diptych: Le temps suspendu.
Triptych: Rocks-Paris-Joshua Tree.
Diptych: Object closer than they appear.
Diptych: Neon & tides.
IMAGINARY GARDENS, 2024
The two doves
The circle of life
Maelstrom
The burning Christ
REFLEXIONS, 2024-25.
-THREE PHOTOGRAPHS-
REF #1, Oshawa, Ontario.
REF #2, Donacona, Quebec.
REF #3, Brooklyn, N.Y.
COLLECTING INTANGIBLES 1, 2024-25.
CI1#1
CI1#17
CI1#33
CI1#41
CI1#49
CI1#57
CI1#64
CI1#2
CI1#18
CI1#34
CI1#42
CI1#50
CI1#58
CI1#65
CI1#3
CI1#19
CI1#35
CI1#43
CI1#51
CI1#59
CI1#66
CI1#4
CI1#20
CI1#36
CI1#44
CI1#52
CI1#60
CI1#67
CI1#5
CI1#21
CI1#37
CI1#45
CI1#53
CI1#61
CI1#68
CI1#6
CI1#22
CI1#38
CI1#46
CI1#54
CI1#62
CI1#7
CI1#23
CI1#39
CI1#47
CI1#55
CI1#63
CI1#8
CI1#24
CI1#32
CI1#40
CI1#48
CI1#56
1989-2024.
OCEAN VIEWS, EASTCOAST CANADA.
OV#1
OV#2
OV#3
OV#4
OV#5
MA MUSE.
M2#1
M2#2
M2#3
M2#4
HOME SWEET HOME.
HSH#1
HSH#2
HIATUS
2005-2018.
THE LAY OF THE LAND.
2018.
2018_01
2018_07
2018_02
2018_08
2018_03
2018_09
2018_04
2018_10
2018_05
2018_11
2018_06
2018_12
2010.
2010GZ_01
2010GZ_06
2010GZ_13
2010GZ_19
2010GZ_25
2010GZ_26
2010GZ_31
2010GZ_37
2010GZ_43
2010GZ_02
2010GZ_08
2010GZ_07
2010GZ_14
2010GZ_20
2010GZ_32
2010GZ_38
2010GZ_44
2010GZ_45
2010GZ_03
2010GZ_08B
2010GZ_09
2010GZ_15
2010GZ_21
2010GZ_27
2010GZ_33
2010GZ_39
2010GZ_04
2010GZ_10
2010GZ_16
2010GZ_22
2010GZ_28
2010GZ_34
2010GZ_40
2010GZ_46
2010GZ_05
2010GZ_11
2010GZ_17
2010GZ_23
2010GZ_29
2010GZ_35
2010GZ_41
2010GZ_47
2010GZ_05B
2010GZ_12
2010GZ_18
2010GZ_24
2010GZ_30
2010GZ_36
2010GZ_42
2010GZ_48
2008.
2008TF_01
2008TF_07
2008TF_13
2008TF_19
2008TF_02
2008TF_08
2008TF_14
2008TF_20
2008TF_03
2008TF_09
2008TF_15
2008TF_21
2008TF_04
2008TF_10
2008TF_16
2008TF_05
2008TF_11
2008TF_17
2008TF_06
2008TF_12
2008TF_18
2006.
2006R-01
2006R-07
2006R-13
2006R-19
2006R-02
2006R-08
2006R-14
2006R-20
2006R-03
2006R-09
2006R-15
2006R-21
2006R-04
2006R-10
2006R-16
2006R-22
2006R-05
2006R-11
2006R-17
2006R-06
2006R-12
2006R-18
2005.
20059_01
20059_05
20059_02
20059_06
20059_03
20059_07
20059_04
20059_08
FROM THE ARCHIVES
EARLY CHROMES, 1982-1994.
MURMURES, MEXICO CITY, DEC 1993-JAN 1994.
MM#1
MM#6
MM#2
MM#7
MM#3
MM#8
MM#4
MM#9
MM#5
MM#10
ABSTRACTIONS, 1990-1993.
ABS1#1
ABS1#6
ABS1#11
ABS1#2
ABS1#7
ABS1#12
ABS1#3
ABS1#8
ABS1#13
ABS1#4
ABS1#9
ABS1#14
ABS1#5
ABS1#10
ABS1#15
EUROPE, 1982.
EURO#1
EURO#6
EURO#11
EURO#16
EURO#2
EURO#7
EURO#12
EURO#17
EURO#3
EURO#8
EURO#13
EURO#18
EURO#4
EURO#9
EURO#14
EURO#19
EURO#5
EURO#10
EURO#15
MA MUSE.
M1#01
M1#02
M1#03
EARLY WORK, 1984-2005.
-THE FORMATIVE YEARS-
DECEMBER 1993-JANUARY 1994.
-MAKE SICKO CITY-
MAKE SICKO CITY IS A DYSTOPIAN NICKNAME COINED BY MEXICAN AUTHOR CARLOS FUENTES TO DESCRIBE A HEAVILY POLLUTED, CHAOTIC, AND OVERCROWDED MEXICO CITY IN HIS 1987 NOVEL, CHRISTOPHER UNBORN.
-LES PIGEONS DU ZÒCALO-
1993
-CREATING SPACE-
I] -TRI-X 135-36 ROLL WITH 5 EXTRA FRAMES.
1993-I-001
1993-I-007
1993-I-013
1993-I-019
1993-I-025
1993-I-031
1993-I-037
1993-I-002
1993-I-008
1993-I-014
1993-I-020
1993-I-026
1993-I-032
1993-I-038
1993-I-003
1993-I-009
1993-I-015
1993-I-021
1993-I-027
1993-I-033
1993-I-0380
1993-I-004
1993-I-010
1993-I-016
1993-I-022
1993-I-028
1993-I-034
1993-I-0381
1993-I-005
1993-I-011
1993-i-017
1993-I-023
1993-I-029
1993-I-035
1993-I-0382
1993-I-006
1993-I-012
1993-I-018
1993-I-024
1993-I-030
1993-I-036
II] -PEOPLE.
1993-II-039
1993-II-044
1993-II-040
1993-II-045
1993-II-041
1993-II-046
1993-II-042
1993-II-047
1993-II-043
III] -SEQUENCE: THE BRINKS.
1993-III-048
1993-III-049
1993-III-050
IV] -DROITS DES PREMIÈRES NATIONS.
EN 1993 LES PREMIERES NATIONS EXIGEAIENT LA GESTION DES TERRES ET RESSOURCES SUR LEURS TERRITOIRES, LE RESPECT DES TRAITÉS ET UNE RECONNAISSANCE COMME NATIONS.
1993-IV-051
1993-IV-055
1993-IV-052
1993-IV-056
1993-IV-053
1993-IV-057
1993-IV-054
1993-IV-058
V] -SELF PORTRAIT IN A MIRROR.
1993-V-059
1993-V-060
1992
-BECOMING A FATHER-
I] -SOME PLACES.
1992-I-01
1992-I-07
1992-I-13
1992-I-02
1992-I-08
1992-I-14
1992-I-03
1992-I-09
1992-I-15
1992-I-04
1992-I-10
1992-I-16
1992-I-05
1992-I-11
1992-I-06
1992-I-12
II] -MOTHER AND CHILD.
1992-II-17
1992-II-18
1992-II-19
1992-II-20
1992-II-21
1992-II-22
III] -SELF PORTRAIT IN A MIRROR.
1992-III-23
1991
-EVERYTHING IS A PICTURE-
I] -ARTEFACTS.
199-I-001
1991-I-007
1991-I-002
1991-I-008
1991-I-003
1991-I-009
1991-I-004
1991-I-010
1991-I-005
1991-I-011
1991-I-006
1991-I-012
II] -HOCHELAGA.
1991-II-013
1991-II-019
1991-II-025
1991-II-014
1991-II-020
1991-II-026
1991-II-015
1991-II-021
1991-II-027
1991-II-016
1991-II-022
1991-II-028
1991-II-017
1991-II-023
1991-II-029
1991-II-018
1991-II-024
1991-II-030
III] -ECOLOGY.
1991-III-031
1991-III-037
1991-III-043
1991-III-049
1991-III-032
1991-III-038
1991-III-044
1991-III-050
1991-III-033
1991-III-039
1991-III-045
1991-III-051
1991-III-034
1991-III-040
1991-III-046
1991-III-052
1991-III-035
1991-III-041
1991-III-047
1991-III-053
1991-III-036
1991-III-042
1991-III-048
IV] -MA MUSE.
1991-IV-054
1991-IV-055
1991-IV-056
V] -PEOPLE.
1991-V-057
1991-V-063
1991-V-069
1991-V-075
1991-V-081
1991-V-087
1991-V-058
1991-V-064
1991-V-070
1991-V-076
1991-V-082
1991-V-059
1991-V-065
1991-V-071
1991-V-077
1991-V-083
1991-V-060
1991-V-066
1991-V-072
1991-V-078
1991-V-084
1991-V-061
1991-V-067
1991-V-073
1991-V-079
1991-V-085
1991-V-062
1991-V-068
1991-V-074
1991-V-080
1991-V-086
VI] -COMPOSITE SELF PORTRAIT.
1991-VI-081A
1991-VI-081B
1990
-WANDERINGS-
I] -FAITS DIVERS.
1990-I-001
1990-I-007
1990-I-013
1990-I-019
1990-I-025
1990-I-031
1990-I-037
1990-I-043
1990-I-049
1990-I-055
1990-I-061
1990-I-002
1990-I-008
1990-I-014
1990-I-020
1990-I-026
1990-I-032
1990-I-038
1990-I-044
1990-I-050
1990-I-056
1990-I-062
1990-I-003
1990-I-009
1990-I-015
1990-I-021
1990-I-027
1990-I-033
1990-I-039
1990-I-045
1990-I-051
1990-I-057
1990-I-063
1990-I-004
1990-I-010
1990-I-016
1990-I-022
1990-I-028
1990-I-034
1990-I-040
1990-I-046
1990-I-052
1990-I-058
1990-I-005
1990-I-011
1990-I-017
1990-I-023
1990-I-029
1990-I-035
1990-I-041
1990-I-047
1990-I-053
1990-I-059
1990-I-006
1990-I-012
1990-I-018
1990-I-024
1990-I-030
1990-I-036
1990-I-042
1990-I-048
1990-I-054
1990-I-060
II] -CHAOS AT THE BUS STOP.
1990-II-064
1990-II-069
1990-II-065
1990-II-070
1990-II-066
1990-II-071
1990-II-067
1990-II-072
1990-II-068
1990-II-073
III] MA MUSE.
1990-III-074
1990-III-075
1990-III-076
IV] -LE CHEVAL BLANC.
1990-IV-077
1990-IV-078
1990-IV-079
1990-IV-080
1990-IV-081
1990-IV-082
V] -24 JUIN.
1990-V-083
1990-V-089
1990-V-084
1990-V-090
1990-V-085
1990-V-091
1990-V-086
1990-V-092
1990-V-087
1990-V-093
1990-V-088
1990-V-094
VI] -RATHA-YATRA / FESTIVAL DES CHARIOTS
1990-VI-095
1990-VI-101
1990-VI-096
1990-VI-102
1990-VI-097
1990-VI-103
1990-VI-098
1990-VI-104
1990-VI-099
1990-VI-105
1990-VI-100
VII] -TAM-TAMS
1990-VII-106
1990-VII-112
1990-VII-107
1990-VII-113
1990-VII-108
1990-VII-114
1990-VII-109
1990-VII-110
1990-VII-111
VIII] -OLD MONTREAL PANORAMA.
1990-VIII-115
1990-VIII-119
1990-VIII-116
1990-VIII-120
1990-VIII-117
1990-VIII-121
1990-VIII-118
1990-VIII-122
IX] -LEICA M4P CAMERA WITH 35MM SUMMICRON LENS.
1990-IX-123
X] -VEA KATERI CEMETERY
KAHNAWAKE
1990-X-124
1990-X-129
1990-X-134
1990-X-125
1990-X-130
1990-X-135
1990-X-126
1990-X-131
1990-X-136
1990-X-127
1990-X-132
1990-X-137
1990-X-128
1990-X-133
1989
-EMBRACING IT ALL-
I] -FAITS DIVERS.
1989-I-001
1989-I-007
1989-I-013
1989-I-019
1989-I-025
1989-I-031
1989-I-037
1989-I-043
1989-I-049
1989-I-055
1989-I-061
1989-I-067
1989-I-073
1989-I-079
1989-I-085
1989-I-091
1989-I-097
1989-I-103
1989-I-002
1989-I-008
1989-I-014
1989-I-020
1989-I-026
1989-I-032
1989-I-038
1989-I-044
1989-I-050
1989-I-056
1989-I-062
1989-I-068
1989-I-074
1989-I-080
1989-I-086
1989-I-092
1989-I-098
1989-I-104
1989-I-003
1989-I-009
1989-I-015
1989-I-021
1989-I-027
1989-I-033
1989-I-039
1989-I-045
1989-I-051
1989-I-057
1989-I-063
1989-I-069
1989-I-075
1989-I-081
1989-I-087
1989-I-093
1989-I-099
1989-I-105
1989-I-004
1989-I-010
1989-I-016
1989-I-022
1989-I-028
1989-I-034
1989-I-040
1989-I-046
1989-I-052
1989-I-058
1989-I-064
1989-I-070
1989-I-076.
1989-I-082
1989-I-088
1989-I-094
1989-I-100
1989-I-107
1989-I-005
1989-I-011
1989-I-017
1989-I-023
1989-I-029
1989-I-035
1989-I-041
1989-I-047
1989-I-053
1989-I-059
1989-I-065
1989-I-071
1989-I-077
1989-I-083
1989-I-089
1989-I-095
1989-I-101
1989-I-108
1989-I-006
1989-I-012
1989-I-018
1989-I-024
1989-I-030
1989-I-036
1989-I-042
1989-I-048
1989-I-054
1989-I-060
1989-I-066
1989-I-072
1989-I-078
1989-I-084
1989-I-090
1989-I-096
1989-I-102
II] -SEQUENCE: RUSH HOUR
1989-II-109
1989-II-110
1989-II-111
1989-II-112
1989-II-113
1989-II-114
III] -SELF-PORTRAITS
1989-III-115
1989-III-116
1989-III-117
1989-III-118
1989-III-119
1989-III-120
1989-III-121
1989-III-122
1989-III-123
III.I] -THE DISAPPEARING ACT.
1989-III.I-124
1989-III.I-125
1989-III.I-126
1989-III.I-127
1989-III.I-128
1989-III.I-129
1989-III.I-130
1989-III.I-131
IV] -TRIPTYCH: TRADUCTIONS.
1989-IV-133
1989-IV-134
1989-IV-135
V] -SEQUENCE: ELAPSED
1989-V-136
1989-V-139
1989-V-142
1989-V-137
1989-V-140
1989-V-143
1989-V-138
1989-V-141
1989-V-144
VI] -SEQUENCE: FROM THE BUS.
1989-VI-145
1989-VI-146
1989-VI-147
1989-VI-148
1989-VI-149
VII] -SEQUENCE: McGILL COLLEGE AVENUE.
1989-VII-150
1989-VII-151
1989-VII-152
1989-VII-153
1989-VII-154
VIII] -ROAD TRIP FROM N.Y.C. TO MEADOW COVES NEWFOUNDLAND AND LABRADOR, CANADA, IN JUNE.
-MANHATTAN, N.Y.-
1989-VIII-155
1989-VIII-161
1989-VIII-167
1989-VIII-173
1989-VIII-179
1989-VIII-156
1989-VIII-162
1989-VIII-168
1989-VIII-174
1989-VIII-180
1989-VIII-157
1989-VIII-163
1989-VIII-169
1989-VIII-175
1989-VIII-181
1989-VIII-158
1989-VIII-164
1989-VIII-170
1989-VIII-176
1989-VIII-182
1989-VIII-159
1989-VIII-165
1989-VIII-171
1989-VIII-177
1989-VIII-183
1989-VIII-160
1989-VIII-166
1989-VIII-172
1989-VIII-178
1989-VIII-184
1989-VIII-185
1989-VIII-186
1989-VIII-187
1989-VIII-188
1989-VIII-189
1989-VIII-190
1989-VIII-191
1989-VIII-192
1989-VIII-193
1989-VIII-199
1989-VIII-194
1989-VIII-200
1989-VIII-195
1989-VIII-201
1989-VIII-196
1989-VIII-202
1989-VIII-197
1989-VIII-198
-CAPE COD-
1989-VIII-203
1989-VIII-204
1989-VIII-205
1989-VIII-206
1989-VIII-207
1989-VIII-208
-NOVA SCOTIA-
1989-VIII-209
1989-VIII-215
1989-VIII-223
1989-VIII-229
1989-VIII-235
1989-VIII-241
1989-VIII-210
1989-VIII-216
1989-VIII-224
1989-VIII-230
1989-VIII-236
1989-VIII-242
1989-VIII-211
1989-VIII-219
1989-VIII-225
1989-VIII-231
1989-VIII-237
1989-VIII-243
1989-VIII-212
1989-VIII-220
1989-VIII-226
1989-VIII-232
1989-VIII-238
1989-VIII-244
1989-VIII-213
1989-VIII-221
1989-VIII-227
1989-VIII-233
1989-VIII-239
1989-VIII-245
1989-VIII-214
1989-VIII-222
1989-VIII-228
1989-VIII-234
1989-VIII-240
-HALIFAX N.S.-
1989-VIII-246
1989-VIII-252
1989-VIII-247
1989-VIII-253
1989-VIII-248
1989-VIII-254
1989-VIII-249
1989-VIII-255
1989-VIII-250
1989-VIII-251
-SYDNEY N.S.-
1989-VIII-256
1989-VIII-257
1989-VIII-258
1989-VIII-259
1989-VIII-260
1989-VIII-261
-LA GRANDE TRAVERSÉE-
SYDNEY N.S. - PORT-AUX-BASQUES NEWFOUNDLAND.
1989-VIII-262
1989-VIII-263
1989-VIII-264
-CHANNEL-PORT AUX BASQUES, NEWFOUNDLAND AND LABRADOR, CANADA.-
1989-VIII-265
1989-VIII-271
1989-VIII-277
1989-VIII-283
1989-VIII-266
1989-VIII-272
1989-VIII-278
1989-VIII-284
1989-VIII-267
1989-VIII-273
1989-VIII-279
1989-VIII-285
1989-VIII-268
1989-VIII-274
1989-VIII-280
1989-VIII-286
1989-VIII-269
1989-VIII-275
1989-VIII-281
1989-VIII-270
1989-VIII-276
1989-VIII-282
-MEADOWS COVE NEWFOUNDLAND AND LABRADOR, CANADA.-
1989-VIII-287
1989-VIII-288
1989-VIII-289
1989-VIII-290
1989-VIII-291
1989-VIII-292
-THE RETURN.-
1989-VIII-293
1989-VIII-294
1989-VIII-295
1989-VIII-296
1989-VIII-297
1989-VIII-298
1989-VIII-299
1989-VIII-300
1989-VIII-301
IX] -PORTRAITS OF PHOTOGRAPHERS:
-IN MEMORIAM LETIZIA BATTAGLIA, ITALY-
1989-IX-302
-FRANCO ZECCHIN, ITALY-
1989-IX-303
1989-IX-307
1989-IX-304
1989-IX-308
1989-IX-305
1989-IX-309
1989-IX-306
1989-IX-310
-MARILYN NANCE AND CARRIE MAE WEEMS, USA-
1989-IX-311
1989-IX-312
1989-IX-313
1989-IX-314
1989-IX-315
-BRUCE GILDEN, USA-
1989-IX-316
1989-IX-320
1989-IX-317
1989-IX-321
1989-IX-318
1989-IX-322
1989-IX-319
1989-IX-323
-MARC RIBOUD, FRANCE-
1989-IX-324
1989-IX-329
1989-IX-325
1989-IX-330
1989-IX-326
1989-IX-331
1989-IX-327
1989-IX-332
1989-IX-328
1989-IX-333
-IN MEMORIAM ROBERT FOURNIER, PHOTOGRAPHER-MENTOR, CANADA-
1989-IX-334
1989-IX-335
1989-IX-336
FRANÇOIS LAVALLÉE, AMI, PHOTOGRAPHE, COMPAGNON DE ROUTE.
1989-IX-337
1989-IX-338
1989-IX-339
1989-IX-340
X] -GRIM OCTOBER.
1989-X-341
1989-X-346
1989-X-342
1989-X-347
1989-X-343
1989-X-348
1989-X-344
1989-X-349
1989-X-345
1989-X-350
1988
-DEFINING AND CLAIMING SPACE-
I] -SELF- PORTRAITS.
1988-I-01
1988-I-02
1988-I-03
1988-I-04
1988-I-05
1988-I-06
1988-I-10
1988-I-07
1987-I-11
1988-I-08
1988-I-09
II] -FAITS DIVERS.
1988-II-01
1988-II-07
1988-II-13
1988-II-19
1988-II-25
1988-II-31
1988-II-37
1988-II-43
1988-II-49
1988-II-55
1988-II-61
1988-II-02
1988-II-08
1988-II-14
1988-II-20
1988-II-26
1988-II-32
1988-II-38
1988-II-44
1988-II-50
1988-II-56
1988-II-62
1988-II-03
1988-II-09
1988-II-15
1988-II-21
1988-II-27
1988-II-33
1988-II-39
1988-II-45
1988-II-51
1988-II-57
1988-II-63
1988-II-04
1988-II-10
1988-II-16
1988-II-22
1988-II-28
1988-II-34
1988-II-40
1988-II-46
1988-II-52
1988-II-58
1988-II-64
1988-II-05
1988-II-11
1988-II-17
1988-II-23
1988-II-29
1988-II-35
1988-II-41
1988-II-47
1988-II-53
1988-II-59
1988-II-65
1988-II-06
1988-II-12
1988-II-18
1988-II-24
1988-II-30
1988-II-36
1988-II-42
1988-II-48
1988-II-54
1988-II-60
III] -CITY STREET CHOREOGAPHY.
1988-III-01
1988-III-07
1988-III-02
1988-III-08
1988-III-03
1988-III-09
1988-III-04
1988-III-10
1988-III-05
1988-III-11
1988-III-06
1988-III-12
IV] -SANCTUAIRE SAINTE ANNE DE BEAUPRÉ.
NEUVAINE.
1988-IV-01
1988-IV-07
1988-IV-13
1988-IV-19
1988-IV-25
1988-IV-31
1988-IV-02
1988-IV-08
1988-IV-14
1988-IV-20
1988-IV-26
1988-IV-32
1988-IV-03
1988-IV-019
1988-IV-15
1988-IV-21
1988-IV-27
1988-IV-04
1988-IV-10
1988-IV-16
1988-IV-22
1988-IV-28
1988-IV-05
1988-IV-11
1988-IV-17
1988-IV-23
1988-IV-29
1988-IV-06
1988-IV-12
1988-IV-18
1988-IV-24
1988-IV-30
V] -SEQUENCE: 20/20
1988-V-01
1988-V-06
1988-V-11
1988-V-16
1988-V-02
1988-V-07
1988-V-12
1988-V-17
1988-V-03
1988-V-08
1988-V-13
1988-V-18
1988-V-04
1988-V-09
1988-V-14
1988-V-19
1988-V-05
1988-V-10
1988-V-15
1988-V-20
VI] -SEQUENCE: WHO'S THE CLOWN HERE...
1988-VI-01
1988-VI-05
1988-VI-02
1988-VI-06
1988-VI-03
1988-VI-07
1988-VI-04
1988-VI-08
VII] -ST-PAT'S PARADE.
1988-VII-01
1988-VII-07
1988-VII-11
1988-VII-02
1988-VII-08
1988-VII-03
1988-VII-09
1988-VII-04
1988-VII-10
1988-VII-05
1988-VII-11
1988-VII-06
1988-VII-12
VIII] -SALON DES SCIENCES OCCULTES.
1988-VIII-01
1988-VIII-07
1988-VIII-02
1988-VIII-08
1988-VIII-03
1988-VIII-09
1988-VIII-04
1988-VIII-10
1988-VIII-05
1988-VIII-11
1988-VIII-06
1988-VIII-12
IX] -PINK FLOYD AT OLYMPIC STADIUM IN MONTREAL.
1988-IX-01
1988-IX-02
1988-IX-03
1988-IX-04
1988-IX-05
1988-IX-06
X] -MA MUSE.
1988-X-01
1988-X-02
1988-X-03
1988-X-04
1988-X-05
1987
-REPORTING-
I] -THE NEW YEAR.
1987-I-01
1987-I-02
1987-I-03
II] -FAITS DIVERS
1987-II-01
1987-II-07
1987-II-13
1987-II-19
1987-II-25
1987-II-31
1987-II-37
1987-II-43
1987-II-49
1987-II-55
1987-II-02
1987-II-08
1987-II-14
1987-II-20
1987-II-26
1987-II-32
1987-II-38
1987-II-44
1987-II-50
1987-II-56
1987-II-03
1987-II-09
1987-II-15
1987-II-21
1987-II-27
1987-II-33
1987-II-39
1987-II-45
1987-II-51
1987-II-57
1987-II-04
1987-II-10
1987-II-16
1987-II-22
1987-II-28
1987-II-34
1987-II-40
1987-II-46
1987-II-52
1987-II-58
1987-II-05
1987-II-11
1987-II-17
1987-II-23
1987-II-29
1987-II-35
1987-II-41
1987-II-47
1987-II-53
1987-II-06
1987-II-12
1987-II-18
1987-II-24
1987-II-30
1987-II-36
1987-II-42
1987-II-48
1987-II-54
III] -SEQUENCE: STUDENT LIFE.
1987-III-01
1987-III-02
1987-III-03
1987-III-04
1987-III-05
1987-III-06
IV] -FALL / WINTER SESSION, CONCORDIA UNIVERSITY.
35 mm color negatives
1987-IV-01
1987-IV-07
1987-IV-02
1987-IV-08
1987-IV-03
1987-IV-09
1987-IV-04
1987-IV-10
1987-IV-01-5
1987-IV-11
1987-IV-06
1987-IV-12
V] -SEQUENCE: COMMUTERS.
1987-V-01
1987-V-07
1987-V-02
1987-V-08
1987-V-03
1987-V-09
1987-V-04
1987-V-10
1987-V-05
1987-V-11
1987-V-06
1987-V-12
VI] -DOG'S DAY; ST-PAT'S PARADE.
1987-VI-01
1987-VI-07
1987-VI-13
1987-VI-19
1987-VI-25
1987-VI-31
1987-VI-37
1987-VI-02
1987-VI-08
1987-VI-14
1987-VI-20
1987-VI-26
1987-VI-32
1987-VI-38
1987-VI-03
1987-VI-09
1987-VI-15
1987-VI-21
1987-VI-27
1987-VI-33
1987-VI-39
1987-VI-04
1987-VI-10
1987-VI-16
1987-VI-22
1987-VI-28
1987-VI-34
1987-VI-40
1987-VI-05
1987-VI-11
1987-VI-17
1987-VI-23
1987-VI-29
1987-VI-35
1987-VI-06
1987-VI-12
1987-VI-18
1987-VI-24
1987-VI-30
1987-VI-36
VII] -VOYAGES DE RÊVES; SELF-PORTRAIT.
1987-VII-01
1987-VII-02
1987-VII-03
1987-VII-04
VIII] -GRAD BALL
1987-VIII-01
1987-VIII-07
1987-VIII-13
1987-VIII-19
1987-VIII-25
1987-VIII-31
1987-VIII-37
1987-VIII-43
1987-VIII-02
1987-VIII-08
1987-VIII-14
1987-VIII-20
1987-VIII-26
1987-VIII-32
1987-VIII-38
1987-VIII-44
1987-VIII-03
1987-VIII-09
1987-VIII-15
1987-VIII-21
1987-VIII-27
1987-VIII-33
1987-VIII-39
1987-VIII-45
1987-VIII-04
1987-VIII-10
1987-VIII-16
1987-VIII-22
1987-VIII-28
1987-VIII-34
1987-VIII-40
1987-VIII-46
1987-VIII-05
1987-VIII-11
1987-VIII-17
1987-VIII-23
1987-VIII-29
1987-VIII-35
1987-VIII-41
1987-VIII-47
1987-VIII-06
1987-VIII-12
1987-VIII-18
1987-VIII-24
1987-VIII-30
1987-VIII-36
1987-VIII-42
IX] -214 PICTURES FROM N.Y.C. TO L.A., MAY - JUNE
RT#1
RT#8
RT#15
RT#22
RT#29
RT#36
RT#43
RT#50
RT#57
RT#64
RT#71
RT#78
RT#85
RT#92
RT#99
RT#106
RT#113
RT#120
RT#127
RT#134
RT#141
RT#148
RT#155
RT#162
RT#169
RT#176
RT#183
RT#190
RT#197
RT#204
RT#211
RT#2
RT#9
RT#16
RT#23
RT#30
RT#37
RT#44
RT#51
RT#58
RT#65
RT#72
RT#79
RT#86
RT#93
RT#100
RT#107
RT#114
RT#121
RT#128
RT#135
RT#142
RT#149
RT#156
RT#163
RT#170
RT#177
RT#184
RT#191
RT#198
RT#205
RT#212
RT#3
RT#10
RT#17
RT#24
RT#31
RT#38
RT#45
RT#52
RT#59
RT#66
RT#73
RT#80
RT#87
RT#94
RT#101
RT#108
RT#115
RT#122
RT#129
RT#136
RT#143
RT#150
RT#157
RT#164
RT#171
RT#178
RT#185
RT#192
RT#199
RT#206
RT#213
RT#4
RT#11
RT#18
RT#25
RT#32
RT#39
RT#46
RT#53
RT#60
RT#67
RT#74
RT#81
RT#88
RT#95
RT#102
RT#109
RT#116
RT#123
RT#130
RT#137
RT#144
RT#151
RT#158
RT#165
RT#172
RT#179
RT#186
RT#193
RT#200
RT#207
RT#214
RT#5
RT#12
RT#19
RT#26
RT#33
RT#40
RT#47
RT#54
RT#61
RT#68
RT#75
RT#82
RT#89
RT#96
RT#103
RT#110
RT#117
RT#124
RT#131
RT#138
RT#145
RT#152
RT#159
RT#166
RT#173
RT#180
RT#187
RT#194
RT#201
RT#208
RT#6
RT#13
RT#20
RT#27
RT#34
RT#41
RT#48
RT#55
RT#62
RT#69
RT#76
RT#83
RT#90
RT#97
RT#104
RT#111
RT#118
RT#125
RT#132
RT#139
RT#146
RT#153
RT#160
RT#167
RT#174
RT#181
RT#188
RT#195
RT#202
RT#209
RT#7
RT#14
RT#21
RT#28
RT#35
RT#42
RT#49
RT#56
RT#63
RT#70
RT#77
RT#84
RT#91
RT#98
RT#105
RT#112
RT#119
RT#126
RT#133
RT#140
RT#147
RT#154
RT#161
RT#168
RT#175
RT#182
RT#189
RT#196
RT#203
RT#210
1986
I] -PUBLIC ALLEYS
1986-I-01
1986-I-07
1986-I-13
1986-I-19
1986-I-25
1986-I-31
1986-I-37
1986-I-43
1986-I-49
1986-I-55
1986-I-61
1986-I-67
1986-I-02
1986-I-08
1986-I-14
1986-I-20
1986-I-26
1986-I-32
1986-I-38
1986-I-44
1986-I-50
1986-I-56
1986-I-62
1986-I-68
1986-I-03
1986-I-09
1986-I-15
1986-I-21
1986-I-27
1986-I-33
1986-I-39
1986-I-45
1986-I-51
1986-I-57
1986-I-63
1986-I-69
1986-I-04
1986-I-10
1986-I-16
1986-I-22
1986-I-28
1986-I-34
1986-I-40
1986-I-46
1986-I-52
1986-I-58
1986-I-64
1986-I-70
1986-I-05
1986-I-11
1986-I-17
1986-I-23
1986-I-29
1986-I-35
1986-I-41
1986-I-47
1986-I-53
1986-I-59
1986-I-65
1986-I-71
1986-I-06
1986-I-12
1986-I-18
1986-I-24
1986-I-30
1986-I-36
1986-I-42
1986-I-48
1986-I-54
1986-I-60
1986-I-66
1986-I-72
II] -FASHION.
1986-II-01
1986-II-07
1986-II-02
1986-II-08
1986-II-03
1986-II-09
1986-II-04
1986-II-10
1986-II-05
1986-II-11
1986-II-06
1986-II-12
III] SEQUENCE:
WORKDAYS
1986-III-01
1986-III-05
1986-III-02
1986-III-06
1986-III-03
1986-III-07
1986-III-04
1986-III-08
IV] -GRIM OCTOBER
1986-IV-01
1986-IV-07
1986-IV-02
1986-IV-08
1986-IV-03
1986-IV-09
1986-IV-04
1986-IV-10
1986-IV-05
1986-IV-11
1986-IV-06
1986-IV-12
V] -SEQUENCE:
STANDING BY
1986-V-01
1986-V-02
1986-V-03
1986-V-04
1986-V--05
1984-5.
I] -LA MAIN, MONTRÉAL, 7 JUIN 1985.
070685#1
070685#6
070685#11
070685#16
070685#2
070685#7
070685#12
070685#17
070685#3
070685#8
070685#13
070685#18
070685#4
070685#9
070685#14
070685#5
070685#10
070685#15
II] -FAITS DIVERS, QUÉBEC-MONTRÉAL.
FDQM_001
FDQM_007
FDQM_013
FDQM_019
FDQM_025
FDQM_031
FDQM_037
FDQM_043
FDQM_049
FDQM_055
FDQM_061
FDQM_067
FDQM_073
FDQM_079
FDQM_085
FDQM_091
FDQM_097
FDQM_002
FDQM_008
FDQM_014
FDQM_020
FDQM_026
FDQM_032
FDQM_038
FDQM_044
FDQM_050
FDQM_056
FDQM_062
FDQM_068
FDQM_074
FDQM_080
FDQM_086
FDQM_092
FDQM_098
FDQM_003
FDQM_009
FDQM_015
FDQM_021
FDQM_027
FDQM_033
FDQM_039
FDQM_045
FDQM_051
FDQM_057
FDQM_063
FDQM_069
FDQM_075
FDQM_081
FDQM_087
FDQM_093
FDQM_004
FDQM_010
FDQM_016
FDQM_022
FDQM_028
FDQM_034
FDQM_040
FDQM_046
FDQM_052
FDQM_058
FDQM_064
FDQM_070
FDQM_076
FDQM_082
FDQM_088
FDQM_094
FDQM_005
FDQM_011
FDQM_017
FDQM_023
FDQM_0209
FDQM_035
FDQM_041
FDQM_047
FDQM_053
FDQM_059
FDQM_065
FDQM_071
FDQM_077
FDQM_083
FDQM_089
FDQM_095
FDQM_006
FDQM_012
FDQM_018
FDQM_024
FDQM_030
FDQM_036
FDQM_042
FDQM_048
FDQM_054
FDQM_060
FDQM_066
FDQM_072
FDQM_078
FDQM_084
FDQM_090
FDQM_096
XXth CENTURY PHOTOGRAPHY.
VIEW CAMERA WORK.
AU PIED DU COURANT, MONTRÉAL, 2002
Chambre 8 X 10 / négatifs. n&b.
APDC-01
APDC-07
APDC-13
APDC-19
APDC-02
APDC-08
APDC-14
APDC-20
APDC-03
APDC-09
APDC-15
APDC-21
APDC-04
APDC-10
APDC-16
APDC-22
APDC-05
APDC-11
APDC-17
APDC-23
APDC-06
APDC-12
APDC-18
APDC-24
APDC-25
LA VALLÉE DU SAINT-LAURENT, 1998.
4 x 5 color negatives.
VSL#1
VSL#6
VSL#11
VSL#16
VSL#2
VSL#7
VSL#12
VSL#17
VSL#3
VSL#8
VSL#13
VSL#4
VSL#9
VSL#14
VSL#5
VSL#10
VSL#15
FEW DOWNTOWN MONTREAL'S BUILDINGS, 1998.
4 x 5 color negatives.
FDMB#1
FDMB#8
FDMB#15
FDMB#22
FDMB#2
FDMB#9
FDMB#16
FDMB#23
FDMB#3
FDMB#10
FDMB#17
FDMB#4
FDMB#11
FDMB#18
FDMB#5
FDMB#12
FDMB#19
FDMB#6
FDMB#13
FDMB#20
FDMB#1
FDMB#14
FDMB#21
DOWNTOWN MONTREAL, 1998.
Black & white negatives w/ 8 x 10 view camera.
DM810#1
DM810#2
DM810#3
LANDSCAPES, 1998.
Black & white negatives w/ 8 x 10 view camera.
LANDS#1
LANDS#2
LANDS#3
LANDS#4
EAST END, MONTREAL, 1998.
4 x 5 color negatives.
EE#1
EE#2
EE#3
ILE SAINT-HELENE, MONTREAL, 1997.
Black & white 4 X 5 negatives.
ISH#1
ISH#6
ISH#11
ISH#2
ISH#7
ISH#12
ISH#3
ISH#8
ISH#13
ISH#4
ISH#9
ISH#5
ISH#10
URBAN LANDSCAPES, 1997.
Black & white 4 X 5 negatives.
UL#1
UL#2
FORESTS 1, 1997.
Black & white 4 X 5 negatives.
SANDWITCH TOWN, MA, USA, SPRING 1987.
Large format black & white corrupted negatives.
SANDWITCH #1
SANDWITCH #5
SANDWITCH #2
SANDWITCH #6
SANDWITCH #3
SANDWITCH #7
SANDWITCH #4
AMERICAN LANDSCAPES, SPRING 1987.
Graflex Speed Graphic, 4 X 5, black & white negatives.
